graphic design
I work in graphic design at the intersection of visual culture, storytelling, and attention.
I enjoy working with metaphors, meanings, typography, and subtle distortions of the familiar.
I can build a clean, structured system — or break the grid, depending on the task.

Most often, I design layouts for media, cultural projects, exhibitions, and performances.

1

Exhibition poster: "Ovde nije tamo", Belgrade, 2024

Task: Concept and design of the poster for the group exhibition Ovde nije tamo (“Here is not there” in Serbian).

What’s been done: I created two versions of the poster for different placements around the city:

✦ a bold and saturated version, provocative yet elegant, playing with the linguistic twist in the title

✦ a minimalist, black-and-white variation for more conservative contexts

2

Presentation design: including video

Task: Create a dynamic video presentation for a fictional real estate developer — as a prop for a series character.

What’s been done: A sleek, restrained, and automated video presentation focused on rhythm, on-screen aesthetics, and realism.

3

In-house designer: “Carlos Santos’ Mirror” theatre project

Task: Ongoing graphic designer since June 2023

What’s been done: Maintaining a consistent visual language across the project’s social media, designing banners, calendars, posters, and story layouts.

4

Fake product design: fictional branding for cinema

Task: Visual design of non-existent brands for use in a film.

What’s been done: Branding rooted in the film’s narrative logic — design as storytelling, deeply connected to plot and world-building.

5

Logos & Covers

Task: Create a podcast cover for a series about psychology and transactional analysis.

What’s been done: A strong visual that plays with the title *Something like Okay*
The cover reflects the podcast’s tone — smart, professional, and slightly ironic.

6

End-to-end production: from concept to execution

Task: Full-cycle concept and production of the “Curators' Tarot” deck.

What’s been done: Each card represents a famous artwork corresponding to an archetype.
The symbolic system merges the logic of traditional tarot with curatorial thinking, turning the deck into a pocket-sized gallery and a tool for exhibition reflection.
In my work, I think not only about form, but about experience — what a person feels when they encounter an image.
I approach each project like a small performance: I think through rhythm, tone, and accents.
For me, good design doesn’t just look good — it tells a story, draws you in, and resonates.

Currently learning motion design and UX/UI to broaden my creative toolkit.
I’m interested in solving diverse challenges — especially those that require unconventional thinking and attention to nuance.

Hard Skills:


✦ Print-ready layouts
✦ Adobe Suite (Photoshop, Illustrator)
✦ Confident in Figma
✦ Typography, composition, branding
✦ Visual storytelling & concept development
Soft Skills:

✦ Creative problem-solving
✦ Strong visual literacy and cultural awareness
✦ Independent and organized
✦ Comfortable in team settings and open to feedback
✦ Reliable under deadlines
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