These are intimate radical diptych performances about abusive patterns in relationships. A performative mirror that musicians place between a subscriber and an artist, helps the artist to find strength for a conversation, to take Belgrade as a witness of a good daughter Kota Davudova's trauma.
I part
a good daughter Kota Davudova calls her parents in a company of her friends to say she loves them.
live, Belgrade, KC Dorchol, 2024
both parts performed with musicians Ilya Kruchinin Isabel s0.any Nu Simakina
Antidaughter (II part)
II part
a good daughter Kota Davudova calls her boyfriend in a company of her friends to discuss some very important questions.
